1759 - Levon Helm - Electric Dirt (2009)

Levon Helm
"Electric Dirt"
Jun 30, 2009
Dirt Farmer Music/Vanguard
Roots Rock, Country-Rock
http://www.levonhelm.com/
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REVIEW
by Mark Deming
In a musical career that has spanned six decades, Levon Helm has made more than a few excellent albums working with other folks — most notably as drummer and vocalist with the Band, as well as backing Bob Dylan, Neil Young, Muddy Waters, John Martyn, Rufus Wainwright, and literally dozens of others. But as a solo artist, Helm's record has been considerably spottier, with well-intended disappointments outnumbering genuine successes, so it's good to report that at the age of 69, Helm has found his second wind as a recording artist, cutting two of his most satisfying solo sets in a row. Following 2007's excellent Dirt Farmer, Electric Dirt is every bit as impressive and finds him sounding even stronger than he did on that comeback set. Dirt Farmer was Helm's first album after a bout with throat cancer nearly silenced him, and his vocals sounded firmly committed but just a bit strained; two years on, Helm's voice is nearly as supple as it was during his days with the Band, and even when it shows signs of wear and tear, his sense of phrasing and his ability to bring the characters in these songs to life are as good as they've ever been. While Dirt Farmer leaned toward acoustic music in the Appalachian tradition, Electric Dirt aims for a broader and more eclectic sound; "Golden Bird" sounds as if it could have been gleaned from the Harry Smith anthology, but the opening cover of the Grateful Dead's "Tennessee Jed" swings with a solid New Orleans groove like an outtake from the Rock of Ages concerts, a pair of Muddy Waters numbers are subtle but passionate acoustic blues, "I Wish I Knew How It Would Feel to Be Free" is joyous gospel-infused R&B, and "White Dove" is fervent and heartfelt traditional country. Larry Campbell, who co-produced Dirt Farmer, returned for these sessions, as did most of the same band, bringing a similarly organic touch to the music, and the bigger sound of this album seems to suit everyone involved, with Helm's drumming sounding especially lively and well-grounded. And though Helm only wrote two songs for this album, they're two good ones, especially "Growin' Trade," a tale of an aging farmer who has taken to raising marijuana, and what could easily have been played as a joke is a moving account of one man's conscience as it wrestles with his heritage and love of the land. Not unlike his old buddy Bob Dylan from Time Out of Mind onward, Levon Helm seems to have rediscovered his knack for making great records in what some might have imagined would be the latter days of his career; Electric Dirt sounds fresh, emphatic, and as effective as anything Levon has cut since the mid-'70s, and one can only hope he has a few more discs in him just this good.
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1 Tennessee Jed (Garcia, Hunter) 5:58
2 Move Along Train (Staples) 3:22
3 Growin' Trade (Campbell, Helm) 4:22
4 Golden Bird (Traum) 5:11
5 Stuff You Gotta Watch (Morganfield) 3:38
6 White Dove (Stanley) 3:29
7 Kingfish (Newman) 4:24
8 You Can't Lose What You Ain't Never Had (Morganfield) 4:01
9 When I Go Away (Campbell) 4:32
10 Heaven's Pearls (Helm, Isaacs, Leone, McBain, Patscha) 4:10
11 I Wish I Knew How It Would Feel to Be Free (Lamb, Taylor) 3:25
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Steven Bernstein Trumpet, Cornet, Horn (Alto), Horn Arrangements
Larry Campbell Dulcimer, Guitar (Acoustic), Fiddle, Guitar, Mandolin, Guitar (Electric), Vocals (bckgr), Harmony Vocals, Horn Arrangements, Guitar (Resonator)
Jay Collins Sax (Tenor), Vocals (bckgr), Harmony Vocals
Clark Gayton Trombone, Tuba
Amy Helm Mandolin, Drums (Bass), Harmony Vocals
Levon Helm Band Horn Arrangements
Levon Helm Mandolin, Drums, Vocals
Byron Isaacs Bass, Vocals (bckgr)
Howard Johnson Tuba
Erik Lawrence Sax (Baritone), Sax (Soprano)
Brian John Mitchell Organ, Piano, Accordion, Harmonium
George Receli Vocals (bckgr)
Catherine Russell Vocals, Guest Appearance
Allen Toussaint Horn Arrangements
Jimmy Vivino Organ, Guitar (Electric)
Teresa Williams Guitar (Acoustic), Autoharp, Harmony Vocals
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BIOGRAPHY

by Richard Skelly
Born Mark Lavon Helm on May 26, 1940 in Marvell, AR

The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at age eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of the Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of rhythm & blues and early rock & roll. Accompanied by his sister Linda on washboard bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school. After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate with "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson, and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they re-formed as Levon & the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan decided to electrify his sound and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever. But Helm returned to action in mid-1967, when the Hawks (since renamed simply the Band) began working on Music from Big Pink, the first in a string of classic records that made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album, Levon Helm & the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously titled effort was released in 1982. The Band re-formed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, NY. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. The Band's bluesy High on the Hog followed in 1995. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm & the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary, and upright bassist Frankie Ingrao, and with a similar outfit called Crowmatrix. An album of tracks from this era called Souvenir, Vol. 1 appeared in 2000 from Breeze Hill. Cancer of the vocal cords silenced Helm's unique voice as the 21st century opened, although he kept up his drumming duties, and in time was able to sing again, emerging with a slightly raspier version of his old vocal style. He began holding intimate concerts with various musical friends at his studio in Woodstock, calling them Midnight Rambles, samples of which were released as Midnight Ramble Music Session, Vol. 1 and Midnight Ramble Music Session, Vol. 2 in 2006. The following year saw the release of Dirt Farmer, Helm's first solo album in 25 years. The similar but looser Electric Dirt followed in 2009.

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HOTFILE
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MORE
LEVON HELM
LEVON HELM AND THE CROWMATIX
LEVON HELM BAND
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