Grand Funk Railroad - We're An American Band (1973)

BIOGRAPHY
by Steve Huey
One of the 1970s' most successful hard rock bands in spite of critical pans and somewhat reluctant radio airplay (at first), Grand Funk Railroad built a devoted fan base with constant touring, a loud, simple take on the blues-rock power trio sound, and strong working-class appeal. The band was formed by Flint, MI, guitarist/songwriter Mark Farner and drummer Don Brewer, both former members of a local band called Terry Knight & the Pack. They recruited former ? & the Mysterians bassist Mel Schacher in 1968, and Knight retired from performing to become their manager, naming the group after Michigan's well-known Grand Trunk Railroad.

They performed for free at the 1969 Atlanta Pop Festival, and their energetic, if not technically proficient, show led Capitol Records to sign them at once. While radio shied away from Grand Funk Railroad, the group's strong work ethic and commitment to touring produced a series of big-selling albums over the next few years; five of their eight releases from 1969 to 1972 went platinum, and the others all went gold. Meanwhile, Knight promoted the band aggressively, going so far as to rent a Times Square billboard to advertise Closer to Home, which turned out to be the band's first multi-platinum album in spite of a backlash from the rock press. However, Grand Funk Railroad fired Knight in March of 1972, who promptly sued; the band spent most of the year in a court battle that ended when they bought Knight out.

Keyboardist Craig Frost joined the group for the Phoenix LP at the end of 1972. Following that album, the band's name was officially shortened to Grand Funk, and the group finally scored a big hit single (number one, in fact) with the title track of the Todd Rundgren-produced We're an American Band. The follow-up, Shinin' On, contained another number one hit in a remake of Little Eva's "The Loco-Motion." However, following Grand Funk's next album, All the Girls in the World Beware!!, interest in the group began to wane. Reverting back to Grand Funk Railroad, they remained together in 1976 solely to work with producer Frank Zappa on Good Singin', Good Playin'. Farner left for a solo career, and the remainder of the band released an album as Flint with guitarist Billy Elworthy.

Grand Funk Railroad re-formed in 1981 with Dennis Bellinger on bass and released two albums; only Grand Funk Lives even managed to scrape the bottom of the charts. The group disbanded again, with Brewer and Frost joining Bob Seger's Silver Bullet Band and Farner embarking on a new career as a CCM artist; his "Isn't It Amazing" was a number two gospel hit in 1988. In 1997, Grand Funk Railroad reunited once again to record a benefit album titled Bosnia; two years later, Capitol issued a three-disc box set retrospective, Thirty Years of Funk: 1969-1999.
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REVIEW
by William Ruhlmann
Having made several changes in their business and musical efforts in 1972, Grand Funk Railroad made even more extensive ones in 1973, beginning with their name, which was officially truncated to "Grand Funk." And keyboardist Craig Frost, credited as a sideman on Phoenix, the previous album, was now a full-fledged bandmember, filling out the musical arrangements. The most notable change, however, came with the hiring of Todd Rundgren to produce the band's eighth album. Rundgren, a pop/rock artist in his own right, was also known for his producing abilities, and he gave Grand Funk exactly what they were looking for: We're an American Band sounded nothing like its muddy, plodding predecessors. Sonically, the record was sharp and detailed and the band's playing was far tighter and more accomplished. Most important, someone, whether the band or Rundgren, decided that gruff-voiced drummer Don Brewer should be employed as a lead singer as often as guitarist Mark Farner. Brewer also contributed more as a songwriter, and the results were immediate. The album's title song, an autobiographical account of life on the road written and sung by Brewer, was released in advance of the album and became a gold-selling number one hit, Grand Funk's first really successful single. Despite the band's previous popularity, for many, it must have been the first Grand Funk record they either heard or bought. Elsewhere on the album, Farner contributed his usual wailing vocals and guitar, singing of his heartfelt, if simpleminded, political concerns. But We're an American Band really belonged to Brewer and Rundgren, and its success constituted a redefinition of Grand Funk that came just in time. [The 2002 reissue adds two worthy outtakes (both previously released), an acoustic version of "Stop Lookin' Back," and a remix of the title song (both previously unreleased).]
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TRACKS
1 We're an American Band Brewer 3:27
2 Stop Lookin' Back Brewer, Farner 4:52
3 Creepin' Farner 7:02
4 Black Licorice Brewer, Farner 4:45
5 The Railroad Farner 6:12
6 Ain't Got Nobody Brewer, Farner 4:26
7 Walk Like a Man (You Can Call Me Your Man) Brewer, Farner 4:05
8 Loneliest Rider Farner 5:28
9 Hooray Brewer, Farner 4:05
10 The End Brewer, Farner 4:11
11 Stop Lookin' Back Brewer, Farner 3:04
12 We're an American Band Brewer 3:34
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CREDITS
Don Brewer Percussion, Drums, Vocals
Mark Farner Guitar (Acoustic), Guitar, Conga, Piano (Electric), Vocals
Craig Frost Organ, Piano (Electric), Clavinet, Moog Synthesizer
Mel Schacher Bass
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